Shakespeare's Use of Five Senses in his Five Tragedies

It’s an experience to deal Shakespearean world-reality on all available commands of sign-using capability on all binary levels from black to white and vice to virtue. Shakespeare’s force of intelligibility directly stems up from his sensory content of five senses that holds back the microscopic visibility of constructional web from all binary relations via parallels to oppositions, to follow its scientific and physical cognition from, and this work is trying to apprehend more closeness of ‘sign’. The confidence of this proximity will provide us the studies of post-structuralist and post-modernist views and shades in Shakespearean perceptual involvements.